Building Use: Office

Bowling Green

A panorama of Bowling Green

A panorama of Bowling Green

From a walking tour I did in January, 2009.

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Added: February 12, 2009

Square at Coenties Slip and Pearl Street

View to the northwest

View to the northwest

See a post on my personal blog for more on this (and why I care about it).

Water Street and Coenties Slip

View to the southwest

View to the southwest

View from Water Street of Coenties slip.

Style: modern, federal
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Added: February 12, 2009

Park Row Building

The building's least attractive side, from the south

The building's least attractive side, from the south

The steel cross-bracing is common, although occasionally missing. Why is that?

Edit: An anonymous source gave the following answer to the “why” above.

Regarding the cross-beams at the back of the Park Row building, and your question as to why some buildings don’t have them: its all a question of bulk and engineering. Obviously the cross-beams create a “box” while still allowing an air shaft for more windows: this serves both the engineering and commercial needs.

All buildings must handle the horizontal load generated by a maximum value of wind stress, which becomes much greater as the height increases. Pre-war buildings used steel behind the brick or stone facade, but probably still relied on the sheer weight of the masonry component. My guess is that the tools used to calculate those stresses were not terribly sophisticated, so out of an excess of caution they added cross-beams. Take a look at the back side of the Woolworth building: it too has them.

By contrast, the Twin Towers were a marvel of engineering precisely because they defied the wind: two straight towers, 110 stories, with no setbacks and no visible bracing beams (either externally or internally). The trick was to closely space the exterior columns, so that they acted like tubes, to handle both vertical and horizontal loads. This solved the dual load problem for tall buildings in a very elegant fashion, because it allowed for lightweight floors with no internal columns except for the central core.

You might find it interesting to research the design philosophy of the architect (Minoro Yamasaki) and his earlier buildings–much like Roebling, he first tried out his signature concept out of town. Say what you may about why these design decisions contributed to the buildings’ collapse on 9/11; but at the time they were built, they represented a very dramatic and novel way to solve the problem. By contrast, the Hancock Tower in Chicago relies on giant exterior cross beams.

According to wikipedia, this was the tallest office building in the world for 9 years at the turn of the century. I also recommend the contemporary perspectives quoted on wikipedia; some of them are rather funny.

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Added: February 12, 2009

Pearl and Wall

View to the south

View to the south

In the canyons of the financial district it is surprising to have any open area such as this square, formed by Pearl, Wall and Beaver Streets.

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Added: February 12, 2009

Irving Trust Building

A very clean design

A very clean design

See these notes from Columbia College. Located at 1 Wall Street at Broadway.

Style: art deco
Use: office
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Added: February 12, 2009

John Street and Broadway

Filthy, but with great promise

Filthy, but with great promise

Building detail

Building detail

This is my kind of building: great detail, and great promise. Or, as my mom said, “this is the before picture.”

Style: beaux arts
Use: office
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Added: February 12, 2009

224 West 57 Street

The top of the corner.

The top of the corner.

2nd floor corner

2nd floor corner

West face column

West face column

The watertower, from the West.

The watertower, from the West.

The water tower, from the easet.

The water tower, from the easet.

I was blown away by this building. It was understated, yet highly ornamented. Even the column in the gap between windows had a decorative framing. It also offered a number of strange features, such as:

  • What is “corporation” on the water tower?
  • Why is the water tower a different style altogether? (Yes, I made sure they’re the same building!)
  • Why is the facade different on the Broadway  side versus the 57th street side? That is, in the first picture, why are there two angular tops on Broadway, and only 1 on 57th street?

Is that even a water tower at all? Why would there be an air conditioner coming from the window, then?

Address: Midtown; 1760 Broadway, and 224 West 57th Street
Use: office
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Added: February 15, 2009

975 7th Avenue

New York Athletic Club

New York Athletic Club

Arcade detail

Arcade detail

I have long found this building, with its arcade high off the ground, to be enchanting, as though it is an Arabian castle or a cathedral in cross-section and in a diorama high on display. What is the story behind it?

Address: Midtown; 975 7th Avenue, and 198 West 59th Street
Use: office
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Added: February 15, 2009

featured 200 West 57 Street

Top front of the building, from 57 Street

Top front of the building, from 57 Street

Wrought iron windowsill decoration

Wrought iron windowsill decoration

Address: Midtown; 935 7th Avenue, and 200 West 57th Street
Style: gothic
Use: office
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Added: February 15, 2009